Perhaps
poets patch and bandy
Words in a brow-beaten
Style of theologically
penned
Liturgies, for us to entwine
In a quagmire of Grundy*
Quibbling, yet misapprehend
Shreds of truth in-between
the line.
Perhaps
poets rouse auguries
Of words like a poet aborted
Pounded to pulp by lexicographicide*
Or as a stillbirth crushed,
mislaid
In wombs of pregnant allegories
And blind metaphoric passages
From whence voices safely hide
Silenced by shrouding images.
Perhaps
poets tether and knot
Words with
rhymes caught
Amidst a periphrastic
elucidation
And a
worn-out poetical fashion
With wits tusked
in a still tussle
That struggle
intolerably from a wrestle
Against syntax
and style snares
To untie redolent
literary flairs.
Perhaps a poet apes, shapes, mimics
Mirrors
reality, creating a doubt
To
Thomas* and his sceptics,
That
parables are an all—
Sophisticated
scheme, so subtle
Of
saying something simple,
Yet
words are mirages that blackout,
Envelope
and obscure semantics.
On the surface, an intelligible untruth;
Underneath, the unintelligible truth
An
etymological eclipse of polemics.
Silence!
Suppose
poets impose
A
short-term curfew with
Pedestrian
loyalty—and
In
a twinkle of an eye, suspend
Poetic faith…
Aha!
To master
language is a poets’ dream
To use
words, to concoct sentences
To search
for formulation, revise a theme;
The risk in
every creative endeavour
To
manipulate rules of language,
To mould
primordial muses
Upsets a semantic
structure.
In the end
words lack precision,
And meanings
almost vague,
Or content
lost to deconstruction*
Since poets can never outsmart
Words for what they no longer
Have to say, or in a manner
In which they are neither
Disposed nor inclined to assert.
©roundsquare.
*Mrs.Grundy – a notorious grandma
venerated for prudery James’ ‘Speed the Plough’ play.
*Lexicographicide – The
scientific formula of killing words, literary. A coinage popularised by Taban
Lo Liyong’s ‘Popular East African Orature’.
*Thomas – also Doubting Thomas, a
Biblical personification of someone who doubts even in the face of proof.
*Deconstruction – A theory in
literature that fifty readers will give the same text more than one
interpretation. That work is open to many meaning, theme, etc.
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